Performances & Public Engagements
Angaza Sessions
Psychosocial Support · Families · Disability Care
Angaza Sessions focused on psychosocial support for families of children living with disabilities. The sessions created space for parents and caregivers to share experiences, receive emotional support, and build community around the realities of disability care.
This work reflects my commitment to care-centred community work, family support, and creating spaces where people navigating difficult circumstances can feel seen, heard, and less alone.
JAMAFEST Theme Song
Music · Composition · East African Cultural Production
I co-composed the theme song for JAMAFEST, the East African Community Festival of Arts and Culture, held in Kampala in 2017.
The project brought together music, regional identity, performance, and cultural celebration, contributing to a major platform for East African arts and cultural exchange.
This work reflects my connection to East African cultural production and my interest in how music can carry shared identity, public memory, and regional imagination.
AHAKI Anthem
Composition · Institutional Music · Kiswahili & English
I co-composed anthem versions for Afya na Haki, creating music that supported the organization’s identity, values, and public presence.
The project involved writing and shaping music in both Kiswahili and English, allowing the anthem to speak across language, audience, and institutional context.
This work reflects my experience creating music for organizations, campaigns, and public-facing initiatives, where sound becomes a way of expressing purpose, belonging, and shared vision.

My performance practice extends beyond conventional stages, inhabiting spaces where sound, storytelling, diplomacy, and cultural dialogue intersect. Through live performance, collaboration, and public engagement, my work continues to connect audiences across borders while foregrounding East African artistic expression within international and institutional contexts.

In 2020, i appeared alongside renowned journalist Alan Kasujja ahead of a BBC Newsday interview, reflecting an important moment of visibility for contemporary African creative practitioners working across sound and interdisciplinary arts. The exchange highlighted the growing recognition of artistic and cultural work emerging from the region and its contribution to global conversations around identity, heritage, and creative innovation.

I also performed at the Kenya High Commission in Kampala during an official engagement attended by His Excellency President Uhuru Kenyatta. The performance brought together diplomacy and culture, showcasing the power of music and sound as tools for connection, representation, and regional exchange. Through such engagements, Marci continues to position artistic practice as an essential part of cultural diplomacy and public discourse.

Whether in intimate artistic settings, international media spaces, or high-level cultural events, my performances is marked by emotional depth, presence, and an ability to create meaningful connections through sound. Her work consistently bridges contemporary expression with cultural memory, creating experiences that resonate across diverse audiences and contexts.
